REFERENCES

Achilli, Alberto.  Boschi, Alberto.  Casadio, Gianfranco.  (Editors).  Le sonorità del visibile.  Immagini, suoni e musica nel cinema di Michelangelo Antonioni.  Longo Editore Ravenna, 1999. [In Italian].

Affron, Mirella Jona.  “Text and Memory in Eclipse.”  Literature/Film Quarterly, Vol IX, No. 3 (1981), pp. 139-151.

Ahrens, Christian.  “Michelangelo Antonionis Filme und der Manierismus.”  Master’s thesis.  Germany:  Universität zu Köln, 1996.  (Available on-line at:  <http://www.student-online.net/Publikationen/85/> [retrieved 3 August 2009]).  [In German].

Allen, Stan.  Practice: Architecture, Technique and Representation (Critical Voices in Art, Theory & Culture.)  London: Routledge, 2000.

Amberg, George.  “But Eros is Sick.”  In L’avventura, a film by Michelangelo Antonioni (Amberg, George.  Editor).  pp. 243-251.  New York: Grove Press, 1969.

Andrew, J. Dudley.  “The stature of objects in Antonioni’s films.”  TriQuarterly, 11 (1968): pp. 40-61.

Antonioni, Michelangelo.  “Questions à Antonioni.”  [interview]  Positif, No. 30.  (July 1959).  [In French, translated into English in Leprohon, Michelangelo Antonioni:   An Introduction].

Antonioni, Michelangelo.  “Eroticism--the Disease of Our Age.”  Films and Filming (January, 1961): 7.

Antonioni, Michelangelo.  “A Talk With Michelangelo Antonioni on his Work.”  Transcript of an open discussion at Centro Sperimentale di Cinematografia, Rome, March 16, 1961.  Excerpted in L’avventura, a film by Michelangelo Antonioni (Amberg, George.  Editor).  pp. 211-234.  New York: Grove Press, 1969.

Antonioni, Michelangelo.  Screenplays of Michelangelo Antonioni.  (Brigante, Louis.  Translator.)  New York: The Orion Press, 1963.

Antonioni, Michelangelo.  Sei film.  Le amiche, Il grido, L’avventura, La notte, L'eclisse, Deserto rosso.  Torino: Guilio Einaudi Editore, 1964.  [In Italian].

Antonioni, Michelangelo.  Blow-Up (Classic Film Scripts).  London:  Lorrimer Publishing Limited, 1971.

Antonioni, Michelangelo.  Chung Kuo Cina.  Torino: Einaudi, 1974.  [In Italian].

Antonioni, Michelangelo.  “La penultima inquadratura.”  In PROFESSIONE:  REPORTER di Michelangelo Antonioni (Di Carlo, Carlo.  Editor).  Un-numbered page in photography section of book between pp. 76-77.  Bologna: Cappelli Editore, 1975.  [In Italian].

Antonioni, Michelangelo.  Quel bowling sul Tevere.  Torino: Einaudi, 1983.  [In Italian].  English translation published in 1986 as That Bowling Alley on the Tiber.  (Arrowsmith, William.  Translator.)  New York-Oxford: Oxford University Press.

Antonioni, Michelangelo.  Fare un film è per me vivere.  (Di Carlo, Carlo and Tinazzi, Giorgio, Editors).  Venice: Marsilio, 1994.  [In Italian].  English translation published in 1996 as The Architecture of Vision: Writings and interviews on Cinema.  Marsilio (Not to be confused with the book Michelangelo Antonioni:  Architteture della visione by Mancini and Perrella cited below).

Aprà, Adriano.  Di Carlo, Carlo.  “Elements of Landscape.”  Video supplement, Criterion Collection [DVD] of L'eclisse, 2005.

Archer-Straw, Petrine.  Negrophilia: Avant-Garde Paris and Black Culture in the 1920s.  London:  Thames & Hudson, 2000.  (See also on-line Internet article from “The Guardian,” 23 September 2000):  <http://www.guardian.co.uk/books/2000/sep/23/features.weekend>   [retrieved 25 January 2009].

Aristarco, Guido.  Su Antonioni.  Materiali per una analisi critica.  Roma: La Zattera di Babele, 1988.  [In Italian].

Arrowsmith, William.  Antonioni, the Poet of Images  (Perry, Ted.  Editor).  USA: Oxford University Press, 1995.

Barroso, Miguel Ángel.  M. A. Antonioni.  Técnicamente dolce.  Madrid: Ediciones Jaguar, 2006.  [In Spanish].

Benci, Jacopo.  “Michelangelo’s Rome: Towards an Iconology of L'Eclisse.”  In Cinematic Rome.  (Wrigley, Richard.  Editor).  pp. 63-84.  United Kingdom:  Troubador Publishing, 2008.  Available on-line as of 27 September 2008 at:  <http://books.google.com/books?id=5AhSkrCrAfoC&pg=PA63&dq=Jacopo+Benci&sig=ACfU3U24wll5_im7QeRgSTZGNSM-3AsiJg>

Bennett, Joseph.  “The Essences of Being.”  In L’avventura, a film by Michelangelo Antonioni.  (Amberg, George.  Editor).  pp. 276-282.  New York:  Grove Press, 1969.

Benvenuto, Sergio.  “Freud’s Concept of Narcissism.”  Journal of European Psychoanalysis.  Number 1, Spring-Summer, 1995.  (available on-line as of 27 September 2009 at:  <http://www.psychomedia.it/jep/number1/benvenuto1.htm>)

Bernardini, Aldo.  Michelangelo Antonioni.  Da Gente del Po a Blow-Up.  Milano: Edizioni i7, 1967.  [In Italian].

Biarese, Cesare and Tassone, Aldo.  I Film di Michelangelo Antonioni.  Rome:  Gremese, 1985.  [In Italian].

Bondanella, Peter.  Italian Cinema, From Neorealism to the Present.  New York: Continuum, 1983.

Bondanella, Peter. The Films of Roberto Rossellini. UK: Cambridge University Press, 1993.

Brottman, Mikita.  “Risus Sardonicus:  Neurotic and pyschological laughter.”  Maryland Institute College of Art.  Retrieved 7 April 2006 from:  <http://www.degruyter.de/journals/humor/2002/pdf/15_401.pdf>
 
Brown, James. (Untitled Internet article; copyright May, 2002.)  Retrieved from: <http://www.sensesofcinema.com/contents/directors/02/antonioni.html>

Brunette, Peter.  The Films of Michelangelo Antonioni.  UK: Cambridge University Press, 1998.

Brunette, Peter.  Roberto Rossellini.  University of California Press, 1996.

Buckley, Martin.  Cars in Films:  Great Moments in Post-War International Cinema.  Haynes Publications Inc., 2001.

Capozzi, Rocco.  “Eco’s Prophetic Vision of Mass Culture.”  In McLuhan Studies. Premiere Issue.  Retrieved 4 October 2005 from:  <http://www.chass.utoronto.ca/mcluhan-studies/v1_iss1/1_1art10.htm>

Cardullo, Bert.  Conversations with Stanley Kauffmann.  University Press of Mississippi, 2003.

Cardullo, Bert.  (Editor).  Michelangelo Antonioni: Interviews.  University Press of Mississippi, 2008.  Retrieved 3 April 2009 on-line in an edited “preview” at: <http://books.google.com/books?id=5PIfqF7BP9wC&printsec=frontcover#PPP1,M1>

Catterall, Ali and Wells, Simon.  Your Face Here.  British Cult Movies Since the Sixties.  UK:  Fourth Estate, 2001.

Cavallaro, G. B.  “M. Antonioni simbolo di una generazione.”  Bianco e Nero.  sett. 1957.  (Cited by Biarrese and Tassoni). [In Italian].

Chatman, Seymour.  Antonioni, or, The Surface of the World: University of California Press, 1985.

Chatman, Seymour.  Duncan, Paul. (Editors).  Michelangelo Antonioni, The Investigation [“The Complete Films”]. Köln:  Taschen, 2004.

Chatman, Seymour.  Fink, Guido.  (Editors).  L’avventura, Michelangelo Antonioni, Director.  New Brunswick and London: Rutgers University Press, 1989.

Chiaretti, T.  “Osservazioni sullo stile.”  In L'eclisse di Michelangelo Antonioni.  (Lane, John Francis.  Editor).  Capelli editore, 1962.  [In Italian].

Chiaretti, T.  “The Adventure of L’avventura.”  Excerpted in L’avventura.  (George Amberg, editor).  pp. 185-208.  New York: Grove Press, 1969.

Cowie, Peter.  Antonioni, Bergman, Renais.  London: The Tantivy Press, 1963.

Cuevas, Bryan J.  Travels in the Netherworld: Buddhist Popular Narratives of Death and the Afterlife in Tibet.  New York, New York (USA): Oxford University Press, 2008.

David, Michel.  “Introduzione.”  In La noia.  Moravia, Alberto.  IX edizione “I Grandi Tascabili.” Milano: Bompiani, 1999.  [In Italian].

Delli Colli, Laura and Lancia, Enrico.  Monica Vitti.  Italia:  Gremese Editore, 1987.  [In Italian].

Delli Colli, Laura (Editor).  Eur, si gira.  Tra cinema, architettura, fiction e pubblicità la storia e l’immagine di un set unico al mondo.  Italia: Lupetti, 2005.  [In Italian].

Delli Colli, Laura.  EUR é cinema.  Italia: Palombi Editori, 2008.  [In Italian].

Dewey, Donald.  Marcello Mastroianni: His Life and Art.  Carol Publishing Group, 1993.

Di Biagi, Flaminio.  Il cinema a Roma.  Guida alla storia e ai luoghi del cinema nella capitale.  Roma:  Palombi Editori, 2003.  [In Italian].

Di Carlo, Carlo (Editor).  Michelangelo Antonioni.  Rome: Edizioni di Bianco e Nero, 1964.  [In Italian].

Di Carlo, Carlo (Editor).  Il primo Antonioni.  Bologna:  Cappelli editore, 1973.  [In Italian].

Di Carlo, Carlo (Editor).  Professione: reporter di Michelangelo Antonioni (screenplay).  Bologna:  Cappelli editore, 1975.  [In Italian].

Esposito, Joan.  “Antonioni and Benjamin:  Dialectical Imagery in Eclipse.”  Film Criticism, VOL. IX, NO. 1 (Fall 1984): pp. 25-37.

Farina, M. Debora.  ‘Eros is Sick,’ Il Cinema Di Michelangelo Antonioni.  Cannes: Editrice Cinetecnica, 2005. [In Italian].

Ferrero, Adelio (Editor).  Tradizione e innovazione nel cinema degli autori Emiliano-Romagnoli.  Comune di Modena, 1976.  [In Italian].

Fink, Guido.  “Michelangelo Antonioni, A Biographical Sketch.”  In L’avventura, Michelangelo Antonioni, director.  pp. 17-28 (Chatman, Seymour and Fink, Guido.  Editors).  New Brunswick and London:  Rutgers University Press, 1989.

Font, Domènec.  Michelangelo Antonioni.  Madrid:  Ediciones Cátedra, 2003.  [In Spanish].

Freccero, John.  “BLOW-UP:  From the Word to the Image.”  In Focus on Blow-Up.  Englewood Cliffs, New Jersey: Prentice Hall, Inc., 1971.

Gay, Peter.  Freud.  A Life for our Time.  New York, London: W. W. Norton & Company, 1988.

Genovese, Nino (Editor).  Omaggio a Michelangelo Antonioni.  Messina nella sua Avventura.  Comune di Messina (Italia):  DAF - Associazione Culturale, 2007.  [In Italian].

Giacci, Vittorio.  Michelangelo Antonioni. Lo sguardo estatico.  Italy:  Fondazione Centro Sperimentale di Cinematografia, 2008.  [In Italian].

Giametti, David.  Invito al Cinema di Antonioni.  Milano: Gruppo Ugo Mursia Editore, 1999.  [In Italian].

Gilman, Richard.  “About Nothing--with Precision.”  Theater Arts 46, no. 7 (July, 1962): pp. 10-12.

Girón Echevarría, Luis.  “The Automobile as a Central Symbol in F. Scott Fitzgerald.”  Revista Alicantina de Estudios Ingleses 6 (1993): 73-78.  [Spain].  Available as of 12 March 2009 on-line at:  http://rua.ua.es/dspace/bitstream/10045/6171/1/RAEI_06_06.pdf

Gundle, Stephen.  “Miss Italia in Black and White: Feminine Beauty and Ethnic Identity in Modern Italy.”  In Migrant Cartographies: New Cultural and Literary Spaces in Post-Colonial Europe.  Pages 253-266.  (Ponzanesi, Sandra and Merolla, Daniela.  Editors.)  Lanham, MD, USA:  Lexington Books, 2005.

Hemmings, David.  Blow-Up and other Exaggerations.  UK: Chrysalis Books Group, 2004.

Huss, Roy (Editor).  Focus on Blow-Up.  Englewood Cliffs, New Jersey: Prentice-Hall, Inc., 1971.

Internet Movie Cars Database (IMCDB), <http://www.imcdb.org/>, retrieved 25 October 2007

Jacobs, Steven.  “Between E.U.R. and L.A.:  Townscapes in the Work of Michelangelo Antonioni.”  In The Urban Condition:  Space, Community, and Self in the Contemporary Metropolis.  pp. 324-242.  (Edited by GUST [Ghent Urban Studies Team]).  010 Publishers, 1999.  Accessible on-line as of 26 September 2008 at: <http://books.google.com/books?id=-vbTkMuU9NkC&pg=PP1&dq=Dirk+de+Meyer,+Kristiaan#PPA325,M1>

Joseph, Robert.  “Billboards, Beards and Beads.”  Cinema Vol. 4, No. 4 (December, 1968): pp. 2-6.

Joyce, James.  Ulysses.  The corrected text.  (Gabler, Hans Walter.  Editor).  New York: Random House, 1986.

Kaiser, Tina Hedwig.  Flaneure im Film.  La Notte und L’Eclisse von Michelangelo Antonioni.  Marburg (Deutschland):  Tectum Verlag, 2007.  [In German].

Kawin, Bruce F.  Mindscreen, Bergman, Godard, and First-Person Film.  Princeton: Princeton University Press, 1978.

Kawin, Bruce F.  How Movies Work.  Berkeley and Los Angeles:  University of California Press, 1992.

Kearns, J.W.  “Antonioni’s ‘Blow Up.’ ”  Article on Internet Blog:  Accessible on-line as of 16 February 2010 at:  <http://www.idyllopuspress.com/meanwhile/924/antonionis-blow-up-the-bread-and-the-wine-the-body-and-the-blood/>

Kermode, Frank.  The Sense of an Ending.  Studies in the Theory of Fiction.  New York: Oxford University Press, 1967.

Labarthe, André.  “Entretien avec Michelangelo Antonioni.”  Cahiers du cinéma, no 112 (October 1960). pp. 1-14. (excerted in Leprohon, Michelangelo Antonioni:  An Introduction).

Lancia, Enrico.  Poppi, Roberto.  (Editors).  Dizionario del cinema italiano.  Gli attori.  Vol. 3, Part 1.  Italia:  Gremese Editore, 2003.  [In Italian].  Available on-line as of 29 September 2008 at:  <http://books.google.com/books?id=WDKOut-MkCwC&printsec=frontcover&dq=l%27eclisse+bandiera&lr=&sig=ACfU3U3POfLhwdLucZvMHSCpTPQtywwp0A&source=gbs_book_other_versions_r&cad=1_2#PPA28,M1>  [In Italian]

Landy, Marcia.  Italian Film.  Cambridge, United Kingdom: Cambridge University Press, 2000.

Lane, John Francis.  “Antonioni Diary: A Day-to-Day Record of Work on The Eclipse.”  Films and Filming 8, No. 6 (March 1962): pp. 11-12, 46.

Lane, John Francis (Editor).  L'eclisse di Michelangelo Antonioni.  Italia: Cappelli editore, 1962.  [In Italian].

Lejeune, Jean-François.  “La metafisica del quotidiano.  L’Eur di Antonioni e L’eclisse dell’architettura.”  In EUR é cinema (Delli Colli, Laura).  Italia: Palombi Editori, 2008.  [In Italian].

Leprohon, Pierre.  Michelangelo Antonioni:  An Introduction.  [translated from the original French].  New York: Simon and Schuster, 1963.

Lindgren, Ernest.  The Art of the Film.  London: Allen & Unwin, 1948.

Lyons, Robert Joseph.  Michelangelo Antonioni’s neorealism:  A World View.  New York: Arno Press, 1976.

MacDonald, Dwight.  Dwight MacDonald on Movies.  p. 38.  Englewood Cliffs, N.J.: Prentice-Hall, 1969.

MacDonald, Dwight.  “The Grandeur and Misery of Antonioni.”  Excerpted in L’avventura, a film by Michelangelo Antonioni.  (Amberg, George.  Editor).  pp. 273-275.  New York: Grove Press, 1969.

Malamud, Randy.  The Language of Modernism.  Ann Arbor:  UMI, 1989. (Cited by Norton, Glen. W.).

Manceaux, Michèle.  Interview with Antonioni, reprinted in Sight and Sound, Winter 1960-1961.  (Cited by Cowie, Ibid.)

Mancini, Michele and Perrella, Giuseppe.  Michelangelo Antonioni.  Architetture della visione.  Rome: Coneditor Consorzio Coop, 1986. [In Italian and English; I have also seen an edition in Italian and Spanish].

Marcus, Millicent Joy.  Italian Film in the Light of Neorealism.  Princeton, New Jersey: Princeton University Press, 1986.

Martini, Giocomo (Editor).  Una Regione piena di cinema.  Michelangelo Antonioni.  Regione Emilia-Romagna, edizioni falsopiano.  (Date of publication not indicated; ISBN 88--89782-12-9).  [In Italian with accompanying partial English translation].

Mast, Gerald.  A Short History of the Movies.  New York: Pegasus, 1971.  p. 353 [Cited by Lyons].

Mattanza, Alessandra.  CINEMA / INTERVISTA / Dietro una finestra, una storia.  9 April 2006.  Retrieved 8 January 2007 from <http://www.oggi7.info/dettaglio.asp?Art_Id=2434&Art_Tema=Interviste>

Medved, Harry with Dreyfuss, Randy.  The 50 Worst Films of All Time.  New York: Warner Books, Inc., 1984.

Micha, R.  “L’eau dans l’œuvre d’Antonioni,” Critique, April 1965. [In French].

Miccichè, Lino.  “Antonioni visto da Antonioni,” Interview for RAI television, 1980; unpublished typescript of thirteen pages (Cited by Chatman in Antonioni, or, The Surface of the World, p. 274).

Monaco, James.  How to Read a Film.  The Art, Technology, Language, History, and Theory of Film and Media.  Oxford University Press, 1981.

Moravia, Alberto.  “Il terrore di Roma.”  In  Racconti romani.  Milano: Bompiani, 1992.  [In Italian; widely translated into multiple languages].

Moses, Gavriel.  Eclipse, The Opening Sequence.  (Monograph, 46 pages).  Mount Vernon, N.Y.: Macmillan Films, Inc., 1975.

Moure, José.  Michelangelo Antonioni, Cinéaste de l’Évidement.  L`Harmattan, 2001. [In French].

Müller, Uwe.  Der intime Realismus des Michelangelo Antonioni.  Germany: Herstellung und Verlag, 2004.  [In German].

Norton, Glen W.  “Antonioni’s Modernist Language.”  Internet site, retrieved 21 April 2006 from:
<http//:www.geocities.com/hollywood/3781/modernism.html?200621>

Nowell-Smith, Geoffrey.  “Shape around a Black Point.”  In L’avventura, Michelangelo Antonioni, director.  pp. 198-200.  (Chatman, Seymour and Fink, Guido,  Editors).  Rutgers University Press, 1989.

Nowell-Smith, Geoffrey.  L’avventura.  London: British Film Institute, 1997.

Ockman, Joan.  “Architecture in a Mode of Distraction:  Eight Takes on Jacques Tati’s Playtime.”  p. 183.  In Architecture and Film (Lamster, Mark.  Editor).  New York:  Princeton Architectural Press, 2000.

Orr, John.  Cinema and Modernity.  Cambridge, UK: Polity press, 1993.

Pechter, William S.  “On L’avventura.”  Excerpted in L’avventura, a film by Michelangelo Antonioni. (Ambrose, George.  Editor.)  Pages 283-287.  New York: Grove Press, 1969.

Pechter, William S.  “Antonioni ‘75.” Commentary 60 (August, 1975): 72.

Peña, Richard.  Audio Commentary, L'eclisse.  DVD.  The Criterion Collection, 2005.

Peploe, Mark.  Wollen, Peter.  Antonioni, Michelangelo.  Michelangelo Antonioni’s “The Passenger.”  New York: Grove Press, Inc., 1975.

Perez, Gilberto.  “The Point of View of a Stranger.”  In The Material Ghost, Films and their Medium.  pp. 367-416.  The Johns Hopkins University Press, 1998.

Perry, Ted.  “A contextual Study of M. Antonioni’s Film L'eclisse.”  Speech Monograph, 37, No. 2 (June, 1970), 79-100.

Perry, Ted and Prieto, René.  Michelangelo Antonioni: A Guide to References and Resources.  Boston: G. K. Hall, 1986.

Petti, Edoardo Maria.  Ricciarelli, Lorenzo.  Scarpetti, Roberto.  Rome, the Great Movie Set.  Pages 38-41.  Published in both English and Italian editions (undated) by the Azienda di Promozione Turistica di Roma.  Available on-line as of 3 October 2008 at:  <http://www.romaturismo.it/v2/richiestamateriali/pdf/cinema_en.pdf>

Pincus, Karen.  “Empty Spaces.  Decolonization in Italy.”  In  A Place in the Sun:  Africa in Italian Colonial Culture from Post-unification to the Present.  Pages 299-321.  (Palumbo, Patrizia.  Editor.)  Berkeley and Los Angeles:  University of California Press, 2003.

Prédal, René.  Michelangelo Antonioni ou la vigilance du désir.  Paris: Les Éditions du Cerf., 1991.  [In French].

Prédal, René.  “L’Éclipse, l’ellipse.” In L’Avant-Scène Cinéma.  (Entire issue devoted to L'eclisse).  February/février, 1993.  nº 419.  [In French and Italian].

Prince, Stephen.  The warrier’s camera:  the cinema of Akira Kurosawa.  Princeton University Press, 1999.

Reeves, Tony.  The Worldwide Guide to Movie Locations.  London: Titan Books, 2006.
[See Internet version retrieved 15 October 2007 at <http://www.movie-locations.com>].

Reich, Jacqueline.  Beyond the Latin Lover : Marcello Mastroianni, Masculinity, and Italian Cinema.  Bloomington:  University of Indiana Press, 2004.

Reggiani, Stefano.  “L’altro occhio della realtà.”  In Professione: Reporter di Michelangelo Antonioni (screenplay).  Di Carlo, Carlo (Editor).  Bologna (Italy):  Cappelli Editore, 1975.  [In Italian].

Renzi, Renzo.  “Album Antonioni.  Une biographie impossible.”  Volume 3 of L’Oeuvre de Michelangelo Antonioni.  (Di Carlo, Carlo.  Editor).  Roma: Cinecittà International, 1990.  [In French].

Restivo, Angelo.  The cinema of economic miracles : visuality and modernization in the Italian art film.  Durham, North Carolina:  Duke University Press, 2002.

Richie, Donald.  The Films of Akira Kurosawa.  University of California Press, 1996.

Rifkin, Ned.  Antonioni’s Visual Language.  Ann Arbor, Michigan: UMI Research Press, 1982.

Rohdie, Sam.  Antonioni.  London: British Film Institute, 1990.

Rosenbaum, Jonathan.  “A Vigilance of Desire:  Antonioni’s L'eclisse.”  In Michelangelo Antonioni’s L'eclisse.  pp. 7-11.  Booklet contained in The Criterion Collection DVD, L'eclisse.  2005.

Rushing, Robert A.  Resisting Arrest: Detective Fiction and Popular Culture.  New York:  Other Press, 2007.

Samuels, Charles Thomas.  Encountering Directors.  New York: G.P. Putnam’s Sons, 1972.

Schickel, Richard.  Perry, George. You Must Remember This: The Warner Bros. Story.  Philadelphia:  Running Press, 2008.

Schwarzer, Mitchell.  “The Consuming Landscape:  Architecture in the Films of Michelangelo Antonioni.”  pp.  196-215.  In Architecture and Film (Lamster, Mark.  Editor).  New York:  Princeton Architectural Press, 2000.

Shapiro, Jerome F.  “Atomic Bomb Cinema:  Illness, Suffering, and the Apocalyptic Narrative.”  Literature and Medicine. 17(1): pp. 126-148.  1998.

Shapiro, Jerome F.  Atomic Bomb Cinema.  New York: Routledge, 2002.

Simon, John.  “Thoughts on L’avventura.”  Excerpted in L’avventura, a film by Michelangelo Antonioni. (Amberg, George.  Editor.)  pp. 267-272.  New York: Grove Press, 1969.

Simon J, Gelmis J, Last M, Star H, Lees A.  “Antonioni: What’s the Point?” Film Heritage.  vol. 5 no., 3, Spring 1970. [cited by Rohdie].

Sinclair, Andrew.  “Blow-Up: A Memoir.”  In Blow-Up, a film by Michelangelo Antonioni (Sinclair, Andrew.  Editor.)  pp. 18-21.  London: Lorrimer Publishing Limited, 1971.

Sitney, P. Adams.  Vital Crises in Italian Cinema.  Iconography, Stylistics, Politics.  Austin: University of Texas Press, 1995.

Socor, Barbara J.  “Imagining Desire and Imagining the Real:  A Love Story.”  In Celluloid Couches, Cinematic Clients.  Psychoanalysis and  Psychotherapy in the Movies (Brandell, Jerrold R.  Editor.)  pp. 191-216.  Albany:  State University of New York Press, 2004.

Sontag, Susan.  Against Interpretation.  New York, NY: Farrar, Straus and Giroux, 1966.

Staggs, Sam.  Close-Up on Sunset Boulevard:  Billy Wilder, Norma Desmond, and the dark Hollywood dream.  New York:  St. Martin’s Press, 2002.

Stanton, Edward.  “Antonioni’s The Passenger:  A Parabola of Light,” Literature/Film Quarterly 5 (Winter 1977): p. 63.  (Cited by Chatman in Antonioni, or, The Surface of the World, p. 263, note # 41).

Stegner, Wallace and Mary.  “Introduction.”  In Great American Short Stories  p. 22.  New York: Dell Publishing Co., Inc., 1957. 

Stewart, Garrett. Framed Time. Chicago and London: University of Chicago Press, 2007.

Stratton, Jon. “Man-Made Women.”  Australian Humanities Journal.  Retrieved October 18, 2006 from 
<http://www.lib.latrobe.edu.au/AHR/archive/Issue-Sept-1996/stratton.html>

Strick, Philip.  “Antonioni, ‘A Motion Monograph’.”  Motion No. 5 (March, 1963), p. 23 (Cited by Gavriel Moses).

Tailleur, Roger and Thirard, Paul-Louis.  Antonioni.  Paris: Editions Universitaires, 1963.  [In French].

Thornton, Weldon.  Allusions in Ulysses.  The University of North Carolina Press, 1961.

Tinazzi, Giorgio.  Michelangelo Antonioni.  Milano: Il Castoro Cinema, 1994.  [In Italian].

Turner, Jack. “Antonioni’s The Passenger as Lacanian Text.” Other Voices, The (e) Journal of Cultural Criticism. v.1, n.3 (January 1999). <http://www.othervoices.org/1.3/jturner/passenger.html>   [retrieved 26 March 2008].

Vanoye, Francis.  Profession : reporter.  Michelangelo Antonioni.  Nathan, 1992. [In French].

Walker, Beverly.  “Michelangelo and the Leviathan.  The Making of Zabriskie Point.”   Film Comment, September-October 1992, pp. 36-49.

Wood, Robin.  Hitchcock's Films Revisited.  New York:  Columbia University Press, 1989.

Zolla, Elémire.  L'eclisse dell’intellettuale.  Milano:  Bompiani, 1959.  [In Italian].

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